A change of pace... Balmain East with the Fujifilm X-T5

Recently I have hit the wall, figuratively speaking, with what is known as traditional street photography… the process which typically sees a photographer amidst a lot of people and trying to take their pictures in relatively close proximity.

Truth be told, the process of being out there and working that way is likely only one part of the frustration, other parts have nothing to do with photography at all, yet tend to negatively affect creative mindsets.

I almost never shoot on Sunday’s, I just tend to shoot on Saturday’s and leave Sunday as a ‘whatever I feel like’ day.

Also, there are a lot more people on the streets on a Saturday when compared to a Sunday.

Strangely, I found myself one Sunday being motivated to head out and shoot, problem was that I didn’t have a clue what and where to shoot.

I decided that I was going to head south into Sydney, however my initial instinct was to avoid the CBD. But where do I go?

One location that had recently entered my mind was the Balmain and Balmain East area. When I first thought about this area my concept was to find interesting perspectives where there were buildings, vehicles, people etc in the foreground, with the city skyline and Sydney Harbour Bridge deep into the background.

Balmain and Balmain East are adjoining suburbs in the inner west of Sydney, just a few kilometres from the Sydney CBD.

 

This is a very affluent area with hugely expensive real estate and stunning views of the Sydney CBD and Sydney Harbour from various streets.

That concept sat well with me, but what gear setup should I use?

Well, my favourite cameras are my Fujifilm X-Pro3 and X100VI, however the X100VI has a fixed 35mm focal length lens, too wide for this application, and the tightest small lens that I have for my X-Pro3 is a 50mm focal length lens… this change of pace and concept required something a lot tighter.

The ‘no brainer’ was to take my Fujifilm X-T5 with the Fujifilm 16-55 f2.8 lens. Of course I’d prefer to have a longer lens than that for this process, however that’s the longest lens that I own, so I had to make it work somehow.

Yes, the 16-55 lens can go onto my X-Pro3 also, however the longer, heavier lens just feels better on the X-T5 for me.

I had a quick look at the Rozelle end of Balmain upon arriving however I just wasn’t feeling it, and so I decided that Balmain East was going to be the way to go… this way I knew that the water from Sydney Harbour would feature in many pictures.

Darling Street is the main one running through Balmain and down to the water at Balmain East. I decided not to focus on the many people in the main part of Balmain, and instead focus on the back streets and look for those perspectives which could depict what the area looked like, whilst showcasing the skyline and harbour at the same time.

I parked my car in a side street and within fifty metres I stumbled upon my first opportunity to shoot a scene with the harbour in the background.

The temptation was to immediately follow the street down toward the harbour, however I decided to head into back streets first to see where I could find more obscure perspectives than the first two pictures..

When I first thought about this area my concept was to find interesting perspectives where there were buildings, vehicles, people etc in the foreground, with the city skyline and Sydney Harbour Bridge deep into the background.
— Roger Brooks

If you take the time to walk these streets, you’ll find plenty of opportunities to shoot ‘through the streets’ and highlight the beautiful Sydney Harbour at the same time.

I love the rich contrast that can be achieved with monochrome pictures.

In most streets here there is some type of Sydney Harbour Bridge perspective.

Imagine living here and staring at the harbour through your windows!

I decided to head back across to Darling Street and then down toward the water. Darling Street is filled with stunning historic terrace houses, I’ve always been fascinated by them, especially the ones which have been meticulously cared for.

As you head down the hill there are beautiful semi obstructed views of the bridge.

When you reach the bottom of Darling Street you are in full view of the harbour, well, not the Opera House side, complete with views of the Sydney Harbour Bridge and some of the city skyline.

Just above the harbour there is a narrow street with some very old and historic dwellings, along with some interesting trees and fauna.

This is a very unique part of Sydney. Being able to reside this close to the city and harbour must be a fabulous and fulfilling experience.

I thoroughly enjoyed slowing down and taking my time walking through these back streets to create pictures that partly tell a story of our beautiful city of Sydney, without the need to fill each frame with people.

I hope that you enjoyed the pictures, and thank you for reading the blog.

Roger Brooks.

Experimenting with a 50mm focal length for street photography...

I recently purchased a new Fujifilm XF35mm F2 R WR lens to add to my kit. On an APS-C camera this lens is approximately a 50mm focal length full frame equivalent, and provides a tighter perspective when compared to my 28mm and 35mm options.

With prime lenses like these you really have to use your feet to get the perspectives that you’re looking for.

Here are my favourite pictures from the very first outing with the new lens.

I absolutely love the juxtaposition here as it looks as though the person in the foreground was actually on the street in 1969, and in the picture on the wall.

I love creating layers and depth by incorporating multiple people in a picture. What I like most about this picture is the guy on the tram platform staring into the sky, whilst the guy in the foreground (and others) are simply looking ahead of where they’re walking.

To me this implies that there is something unknown in all four directions of the picture.

A young boy playing soccer on a very busy Sydney CBD street, now that is unique and something that you might typically only see in South American countries.

Despite the chaotic scene, most of the people here have enough space around them, allowing the picture to avoid being too messy and distracting. With a 50mm lens you have to take many steps backward before creating this shot.

With prime lenses like these you really have to use your feet to get the perspectives that you’re looking for.
— Roger Brooks

An eye on Sly!

Pictures like these are much more engaging when taken with a tighter focal length, my wider lenses would not have been able to compress the scene and bring the artwork and person closer together.

Mind you, they weren’t too far apart to begin with, but still, the tighter focal length is more practical here, unless there are interesting characters to the left and right.

Even then, the tighter focal length allows the picture to be more intriguing by including the large face on the artwork and just one person.

Check out the father staring at me as I came down the escalator, obviously uneasy about me taking pictures! I bet that he is one of a zillion people who happily take pictures with their phones in public all the time, post the pictures and tag whoever is with them, yet frown when someone does it with a proper camera?!

And, and, and… if and when WE publish the pictures, no-one knows the identity of the people in the picture. Soooo, Mr and Mrs Public, what the hell are you whining about?!

RANT over!

The compression of a 50mm focal length allows perspectives such as these. This picture was taken from the southern/city side of Circular Quay train station, against the tram platform, and looking through the opening toward the ship terminal and Sydney Harbour Bridge.

These people were approximately 150 metres from the ship.

In this picture I allowed the 50mm focal length to compress the depth of the scene. I also purposely allowed the two people in the foreground to be inside the minimum zone focus range, therefore they were out of focus, allowing the eye to bounce from them and into the rest of the picture.

Here are a few images of the new lens on my Fujifilm X-Pro3 camera.

I gotta be honest, whilst I was out there trying techniques that I believe I needed to use in order to maximise the benefits of a 50mm focal length, I wasn’t inspired, nor confident that I was making interesting enough pictures.

When looking through the pictures after uploading them I still didn’t feel good about them.

I decided to take a break from them and returned to them a day or so later, and that gave me a new perspective and focus on the pictures, and only then could I see that in some ways I did achieve the desired results.

Even if I did not feel good about any of them, it was my very first time at using this focal length. Making changes such as this often require time and patience.

I am keen to continue to pursue compositions with this focal length, but not with every shoot.

I firmly believe that the 28mm and 35mm focal lengths are my favourites for street stuff, but now I have a challenging and very interesting option to throw into the mix every now and then.

If you’ve never shot with a 50, take a leap of faith and grab one, and be patient if at first it doesn’t feel right.

Hope you enjoyed my thoughts and the images, I appreciate you taking the time to check it out.

Roger Brooks.